But this gives you the flexibility to make your own path. The reason why I love printmaking is because there are no right answers and more often than not, too many options. You should really use the carving tool that is best for your needs, your budget and your style. Okay, but carving tools for linoleum block printing do I get? These tools are bigger than my Power Grip set, the handles are the chunkiest of all and I like to use them for bigger areas. I really liked his craftsmanship and attention to detail so I bought myself a set. The handles are longer and thinner than Pfeil and Speedball’s but they also have a nice range in size.ĭuring my moku hanga phase, I went to Mexico to take a course on the technique and found a local artisan that was making his own moku hanga tools. I bought a Power Grip carving set to use for my woodblocks, but they also work great for linoleum. I was really obsessed moku hanga, which is the Japanese style for woodblock printmaking. Woodcarving tools that can be used for linoleumīefore I fell in love with linoleum, I was doing woodblock prints. If you figure out an easy way to their system, let me know. I do have to warn you though, their sizing system is a bit confusing, so it is easier to look at the examples of the size in the pictures rather than go by the numbers. I can get some really fine lines with their small V L12/1. Apart from the fact that Pfeil has really high-quality tools, I like the range of sizes they offer. I wasn’t sure what I wanted, so I bought the Set C with 6 tools (4 U’s and 2 V’s) and then bought some individual ones later on. Pfeil sells their carving tools in sets or individually. If you have the budget, I would advise you to get some Pfeil linoleum carving tools. I was so impressed that I even dragged my husband to the studio for him to try them out. I literally gasped and carved with open mouth. The first time I used a Pfeil tool to carve my design on my printing block I was dumbfounded. You will be tempted to place it in front, I guarantee that if you so that you will shave off a part of your finger. Your other hand always stays behind your carving hand. Then, you wrap your remaining fingers around the handle and use your pointer finger to guide the tool as you carve. You use the palm of your hand to push the tool, this gives you more stability and force. The end of the tool goes on the palm of your hard. I cannot tell you how many times I have put bandages on student fingers because they are not paying attention to how they are holding their carving tool. Make sure that you know how to properly grab your carving tools, do not grab it like a pencil. Thanks to this, I have been able to observe how some of the most inexpensive tools deal with heavy handling and use.įirst, I will go through the linoleum carving tools that I use, and then I will show you all the printing blocks I have tried. One of the benefits of being an art educator (and there are many) is that I need to find tools for my students that are cheap but useful. At the end of the day, you should choose the tools for linoleum block printing that are right for you! The difference is, there is a lot of information on the internet on which tools are the best. Just as there are many options to choose from for a printing block, there are just as many for your carving tools. These tools can be sharpened on water stones and should last a very long time.The process of choosing a printing block and your carving tools go hand in hand, you cannot use one without the other. (Note, however, that my first print was carved entirely with u-gouges.) Then the unwanted areas are cleared away with u-gouges and clearing chisels in sequence. In the Japanese cutting method, a tool called a to is used to outline all lines and color areas. These tools are designed for cutting side-grain blocks of wood as opposed to the end-grain blocks used in wood engraving. I wanted to use Japanese hanga tools, so I bought the set above from a store called "Woodlike Matsumura" through the Baren Mall. Moku hanga can be done with any knife that is made for cutting wood or even with X-acto blades. (Other examples of relief printing include linoleum prints, potato prints and rubber stamps.) In woodblock printing the artist draws a design on a block and then carves away the wood in all the areas that will not be printed. Moku hanga is a type of relief printing, which is the oldest and most basic of printmaking techniques.
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